Ep 5 // Tokyo Story
Summary
It’s Alicia’s pick… ‘Tokyo Story,’ the 1953 film by Yasujirō Ozu, which filmmaker and critic, Lindsay Anderson, after seeing it in London in 1957 wrote a review for Sight & Sound magazine likened it to the Zen state of experiencing the world in the same way as before, but feeling as if you’re 2 inches off the ground.
The film has appeared several times on Sight & Sound magazine’s decennial polls of the “greatest films” most recently at #3 on the critics poll and #1 on the directors poll.
Also, with the horrific events recently in Atlanta and the overall rise in bigotry and violence toward our friends in AAPI communities, we suggest supporting groups Stop AAPI Hate. And for those who want to learn how they can assist people facing hatred and violence in person, we suggest looking into bystander intervention training with groups like Hollaback!
- 00:00 - Intro + the last good movies we saw
- 03:55 - About the show / expectations for ‘Tokyo Story’
- 06:38 - About the film / open discussion
- 55:50 - Favorite scenes or moments / the test of time / influence or relevance today
- 61:31 - Bonus question: What movie's setting made you want to travel there, and have you actually gone or not?
- 70:13 - Next week on Stereoactive Movie Club… / Outro
Produced by Stereoactive Media
It’s Alicia’s pick… Released in 1953 and very loosely based on a 1937 American film called ‘Make Way for Tomorrow,’ ‘Tokyo Story,’ follows a retired couple living in a town in the southern part of Japan as they visit their grown children, who mostly live in Tokyo. Over the course of the film, the couple’s children have trouble managing time to spend with their parents, while their daughter in law, the widowed wife of the couples’ son who died in the war, does all she can to make them feel welcome and cared for. Eventually, the couple return home and the mother falls ill and dies soon after, prompting all the children to gather in their hometown to mourn. Directed by Yasujirō Ozu, whose career as a director began in 1927 with silent films, it is considered emblematic of the themes and style he’d already developed and would continue to develop over the course of the next decade before he died and also includes many actors he worked with often -- perhaps most notably Chishū Ryū as the retired patriarch and Setsuko Hara as the caring daughter in law.
Even though ‘Rashomon,’ directed by fellow Japanese filmmaker, Akira Kurosawa had introduced many people in the West to Japanese cinema, Ozu’s work was deemed “too Japanese” by some and it did not begin to gain attention in the West until a few years after this film’s release. Filmmaker and critic, Lindsay Anderson, after seeing it in London in 1957 wrote a review for Sight and Sound magazine titled “Two Inches off The Ground,” likening the film to the idea that to achieve a Zen state is to experience the world in the same way as before, but feel as if you’re 2 inches off the ground. And the film became more popular in the United States after a screening in New York in 1972. Newsweek’s review said it was "like a Japanese paper flower that is dropped into water and then swells to fill the entire container with its beauty."
The film has been on the Sight & Sound critics poll of the “greatest films ever made” 3 times: #3 in 1992, #5 in 2002, and #3 again in 2012 (just behind ‘Vertigo’ and ‘Citizen Kane’). And the Sight and Sound directors poll ranked it as the greatest film ever made in 2012, just ahead of 2001: A Space Odyssey and Citizen Kane, which tied for 2nd.
Produced by Stereoactive Media